Drama-drama ini popular juga di Indonesia, dan tampaknya memberikan pengaruh pada orang muda di Indonesia juga. Dengan ideologi dan relasi gender yang berubah, budaya popular, khususnya drama seri, secara pelahan mengkonstruksi kenya-taan hidup baru yang berbeda bagi generasi muda Jepang. Media berperan sangat besar dalam mempengaruhi masyarakat dan mengkonstruksi cara hidup yang berbeda. Freeter Membeli Rumah dari Arikawa Hiro Buku ini nyeritain tentang seorang pekerja. Many of these hoped eventually to become professionals in the worlds of music or the theatre and the like. Mimpi dan fantasi mengenai karakter-istik hidup dan relasi yang berbeda juga ditampilkan di sini. The term freeter was first coined in the late 1980s when the economy was booming, and it originally referred to young people who refused to become permanent employees, instead engaging in temporary or part time work. Drama yang diteliti merefleksikan kehidupan kompleks dari masyarakat Jepang, termasuk tan- tangan-tantangan yang mereka hadapi dalam konteks ekonomi Negara yang sulit. Drama-drama yang diteliti mena-warkan konstruksi dari ideologi dan relasi gender yang berbeda, dimana perempuan dan laki-laki dapat mengembang- kan kemitraan yang lebih setara, serta relasi seksual yang leb- ih bebas tanpa stereotip. Meski demikian, sejumlah kecil perempuan (tokoh utama protagonis dari drama) menunjukkan perjuangan untuk dapat merangkul identitas perempuan yang berbeda. Dapat dilihat bahwa mayoritas perempuan masih terjebak dalam peran-peran feminine yang stereotip, dan ketika mereka berupaya membebaskan diri, mereka menghadapi berbagai tantangan dan penderitaan. Yang diteliti adalah lima drama Jepang, yaitu: “Anego,” “Jotei,” “Magerarenai Onna,” “Ohitorisama’ dan “Freeter Ie O Kau”, dan temuan dapat dikelompokkan pada beberapa tema dominan. Penelitian ini bermaksud menelaah konstruksi gender dalam drama seri Jepang, dan mencoba melihat apakah drama-drama tersebut menampilkan peran dan nilai baru atau berbeda. Because these dramas are also popular in Indonesia, we present some data on their influence in the lives of Indonesian youth as well. With changing gender ideology and relations, serial dramas are gradually constructing new norms in real lives for the young generation in contemporary Japan. Essentially, media plays quite a significant role in influencing people and in the construction of new ways of life. The dramas selected in this study reflect the complex lives of people in contemporary Japan, the challenges they face in the context of economic hardship, and the dreams or fantasies about different and possible new lives. These serials also suggest a new construction of gender ideology and relations, whereby women and men can develop more equal partnerships and more liberated non-stereotypical sexual relations. freeter/arubaito, merupakan pekerja non-reguler yang muncul setelah pecahnya gelembung ekonomi (bubble economy) di Jepang. However, a small number of women (the main protagonists of these dramas) fight to embrace different female identities. Freeter merupakan fenomena di Jepang yang muncul di era tahun 1980an. It was observed that the majority of women in these dramas are still trapped in stereotypical feminine roles who may try to struggle for independence but still face several obstacles and misery. This study looks at five Japanese serial dramas which include: “Anego,” “Jotei,” “Magerarenai Onna,” “Ohitorisama’ and “Freeter Ie O Kau.” The research results can be grouped under a few dominant themes. The enterprise union system provides strong job security and good wages and benefits to regular employees by allowing companies to hire contract workers, who do not have the same job security and benefits.This study aims to capture how gender is constructed in Japanese serial dramas and to see whether they provide new or different roles and values. Contract workers cannot join the union and so do not enjoy the same benefits regular union members do. It is usually led by employees who come from the ranks of young white collar workers, but have not yet become part of management.Įnterprise unions exclude contract (temporary term) workers. It includes all “regular” non-management employees-both blue collar and white collar-regardless of the work they do. ![]() The new relationship that emerged in the 1950s between workers and management is called enterprise unionism.Īn enterprise union is a company union and not an industry-wide union or craft union. With the support of Occupation authorities and conservative Japanese politicians, labor became more moderate in its approach towards management.
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